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You've selected:
So This is Sad Love's Ending
Sheetmusic to print
20 sheet music found
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1
Bantock-Folksong,So this is sad love's ending(Forsi pirchi nun m'ami),in e minor,for Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670370 Composed by Bantock. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.670370 Composed by Bantock. Arranged by MSM. Classical,Romantic Period. Score. 6 pages. Open Cloud #4576267. Published by Open Cloud (A0.670370). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Bantock (Bantock Granville), 1868-1946, for Voice and Piano.
$2.99
2.79 €
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Piano, Voice
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Bantock
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Bantock-Folksong,So this is sad love's ending(Forsi pirchi nun m'ami),in e minor,for Voice and Piano
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Open Cloud
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SheetMusicPlus
So This is Sad Love's Ending (bassoon solo and piano accompaniment)
Bassoon, Piano (duet)
Bassoon,Piano - Level 3 - Digital Download SKU: A0.641151 Composed by Sicilian Folk…
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Bassoon,Piano - Level 3 - Digital Download SKU: A0.641151 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5031273. Published by Kaiserin Rebecca (A0.641151). For bassoon solo and piano accompaniment with chords.
$4.99
4.66 €
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Bassoon, Piano (duet)
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending (for horn in F solo and piano accompaniment)
French Horn and Piano
French Horn,Piano - Level 2 - Digital Download SKU: A0.641809 Composed by Sicilian …
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French Horn,Piano - Level 2 - Digital Download SKU: A0.641809 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5988187. Published by Kaiserin Rebecca (A0.641809). For horn in F solo and piano accompaniment with chords.
$4.99
4.66 €
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French Horn and Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.640969 Composed by Sicilian Folk S…
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Cello,Piano - Level 2 - Digital Download SKU: A0.640969 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #4839095. Published by Kaiserin Rebecca (A0.640969). For cello solo and piano accompaniment with chords.
$4.99
4.66 €
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Cello, Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending (English horn solo and piano accompaniment)
English horn, Piano
English Horn,Piano - Level 2 - Digital Download SKU: A0.641099 Composed by Sicilian…
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English Horn,Piano - Level 2 - Digital Download SKU: A0.641099 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5017257. Published by Kaiserin Rebecca (A0.641099). For English horn solo and piano accompaniment with chords.
$4.99
4.66 €
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English horn, Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.640943 Composed by Sicilian Fol…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.640943 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #4829607. Published by Kaiserin Rebecca (A0.640943). For clarinet in B flat solo and piano accompaniment with chords.
$4.99
4.66 €
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Clarinet and Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.640951 Composed by Sicilian Folk S…
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Piano,Viola - Level 2 - Digital Download SKU: A0.640951 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #4831819. Published by Kaiserin Rebecca (A0.640951). For viola solo and piano accompaniment with chords.
$4.99
4.66 €
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Viola, Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.640935 Composed by Sicilian Folk So…
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Piano Solo - Level 2 - Digital Download SKU: A0.640935 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Folk,Instructional,Standards,World. Score. 2 pages. Kaiserin Rebecca #4809381. Published by Kaiserin Rebecca (A0.640935). For piano solo with chords.
$4.99
4.66 €
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Piano solo
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Clarinet
Clarinet,Piano - Level 3 - Digital Download SKU: A0.641066 Composed by Sicilian Fol…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.641066 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,World. Score and part. 2 pages. Kaiserin Rebecca #5001823. Published by Kaiserin Rebecca (A0.641066). For clarinet in A solo and piano accompaniment with chords.
$4.99
4.66 €
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Clarinet
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending (for harmonica solo and piano accompaniment)
Harmonica, Piano
Harmonica,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.642042 Compo…
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Harmonica,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.642042 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Folk,Instructional,World. Score and individual part. 2 pages. Kaiserin Rebecca #6248725. Published by Kaiserin Rebecca (A0.642042). For harmonica solo and piano accompaniment with chords.
$4.99
4.66 €
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Harmonica, Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
#
Kaiserin Rebecca
#
SheetMusicPlus
So This is Sad Love's Ending (alto saxophone solo and piano accompaniment)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.641135 Composed by Sicili…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.641135 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5023557. Published by Kaiserin Rebecca (A0.641135). For alto saxophone solo and piano accompaniment with chords.
$4.99
4.66 €
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Alto Saxophone and Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
#
Kaiserin Rebecca
#
SheetMusicPlus
So This is Sad Love's Ending (tenor sax and piano accompaniment)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.641112 Composed by Sicil…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.641112 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5019291. Published by Kaiserin Rebecca (A0.641112). For tenor saxophone solo and piano accompaniment with chords.
$4.99
4.66 €
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Tenor Saxophone and Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
#
Kaiserin Rebecca
#
SheetMusicPlus
So This is Sad Love's Ending (oboe solo and piano accompaniment)
Oboe, Piano (duet)
Oboe,Piano - Level 2 - Digital Download SKU: A0.641203 Composed by Sicilian Folk So…
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Oboe,Piano - Level 2 - Digital Download SKU: A0.641203 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,World. Score and part. 2 pages. Kaiserin Rebecca #5048345. Published by Kaiserin Rebecca (A0.641203). For oboe solo and piano accompaniment with chords.
$4.99
4.66 €
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Oboe, Piano (duet)
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This is Sad Love's Ending
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.640937 Composed by Sicilian Folk …
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Piano,Violin - Level 2 - Digital Download SKU: A0.640937 Composed by Sicilian Folk Song. Arranged by Kaiserin Rebecca. Concert,Folk,Instructional,Standards,World. 2 pages. Kaiserin Rebecca #4820319. Published by Kaiserin Rebecca (A0.640937). For violin solo and piano accompaniment with chords.
$4.99
4.66 €
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Violin and Piano
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Sicilian Folk Song
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So This is Sad Love's Ending
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Kaiserin Rebecca
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SheetMusicPlus
So This Is Sad Love's Ending by Sicilian Folksong - Piano/Vocal, Singer Pro
Piano, Voice
Sicilian Folksong - False Digital Sheet Music (this arrangement contains complete lyrics),…
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Sicilian Folksong - False Digital Sheet Music (this arrangement contains complete lyrics), scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 2 pages -- Folk~~World~~Italian
$5.50
5.13 €
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Piano, Voice
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Piano/Vocal, Singer Pro
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Musicnotes
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by M…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925). Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged” with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim” accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß” with “ss” in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.” and “dim.” markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.35 €
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Maurice Ravel
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Arrière! Je réchauffe les bons
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Nicole Elyse DiPaolo
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SheetMusicPlus
Life is Beautiful
Easy Piano
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon?s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client?s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different ?soul journey,? so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with ?Standing In the Light,? a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. ?Heart Song? is hushed, intimate and obviously very personal. ?Triumph of the Soul? starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I?ve often said that the piano is the best instrument to express the sound and feeling of rain and ?Night Rain? proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! ?Tears? is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with ?Happy Man,? a lively slice of pianistic sunshine. ?Phoenix Rising? begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! ?Healing Time? is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. ?Music Runs Through Me? flows quickly like a stream with sparkles of sunlight dancing happily on its surface. ?Balance? returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it?s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers?; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat?.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
?While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.? Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"? indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and? a diverse range of influences is more than apparent.? Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 ?Contemporary and Modern? Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
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Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
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Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Easy Piano
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99
3.72 €
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Easy Piano
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
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